Review: “Welcome to the Multiverse (Sorry for the Inconvenience)” by Ira Nayman

Welcome to the Multiverse (Sorry for the Inconvenience) by Ira Nayman. I received this book free in exchange for an honest review. You can buy your own copy at Amazon.

Description: This hilarious science-fiction comedy novel follows the first case for Noomi Rapier, rookie investigator with The Transdimensional Authority – the organisation that regulates travel between dimensions. When a dead body is found slumped over a modified transdimensional machine, Noomi and her more experienced partner, Crash Chumley, must find the dead man’s accomplices and discover what they were doing with the technology. Their investigation leads them to a variety of realities where Noomi comes face-to-face with four very different incarnations of herself, forcing her to consider how the choices she makes and the circumstances into which she is born determine who she is.

Ira Nayman’s new novel is both an hilarious romp through multiple dimensions in a variety of alternate realities, and a gentle satire on fate, ambition and expectation. Welcome to the Multiverse (Sorry for the Inconvenience) will appeal to comedy fans who have been bereft of much good science-fiction fare these last eleven years. Ira’s style is at times surreal, even off-the-wall, with the humour flying at you from unexpected angles; he describes it as fractal humour. Anyone who has read his Alternate Reality News Service stories will know how funny Ira is. The characters we meet from around the multiverse deserve to become firm favourites with all fans of science fiction comedy.

Review: This not being the first piece I’ve read from this author, I feel that I have the authority with which to make the following statement: Ira Nayman is, without a doubt, totally insane. I mean, really bug-nuts crazy. How could anyone in their right mind, after all, come up with the stuff he puts into his stories?! The answer: no one, which is why he’s obviously not in his right mind.

This is what I’m saying.

As such, you can imagine that his stories are about the same. And they are. But they’re really funny, which is what makes them pretty awesome. But you know what? It also makes them kind of hard to properly describe! I can’t exactly tell you about the story. You sort of just have to read and experience the machine-gun fire satirical bullets yourself.

It’s very dry, wry, sarcastic, sardonic, tongue-in-cheek, straight-forward and convoluted. It loves to play in the not-so-politically correct/but-not-so-bad-either waters. The characters interact with the narrator and accompanying literary devices, and always very amusingly. As are the narrator’s interactions with you, the reader.

Noomi and Crash aren’t the most three-dimensional characters in the world, but they’re not flat either. You just don’t dive too deep into them, but that’s okay. I think it would take away from the fun of the story if we did. There’s a plot and characters. It’s all there, and it’s good, but the story itself really is the world and all the other worlds: an infinite number of them.

I’m not really sure what else to say. I guess you’ll just have to experience it for yourself. ;-) The only reason it’s not getting a five is cause while it’s very enjoyable, it’s not the kind of story that grabs me by the throat and smacks me around, which are the types that get 5 Fireballs, but it’s close… 4.5 Fireballs!

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